Spiritual alchemy and the function of image : coincidentia oppositorum in Michael Maier's Atalanta fugiens / Florin George Calian
The function of image in alchemical treatises like Michael Maier’s
Atalanta fugiens opens a discussion of alchemy as laboratory work or as
spiritual discipline. According to some scholars, the iconography of
alchemy is a metaphorical illustration of laboratory work. This thesis
argues that it is not the case with Atalanta fugiens, where the
iconographical language is part of a tradition that stresses the power
of image in expressing spiritual and metaphysical achievement. The
tradition for which the image plays the major role is identified by
Ernst Gombrich as a Neo-Platonic one. Using Gombrich’s theory (the
Neo-Platonic symbol theory) and his terminology pertaining to the
function of images (didactic, revelative, magic), I explored the
possible ways of interpreting Atlanta fugiens’ iconography for both the
initiated and the common “reader”. Three emblems (VIII, XXX, and XXI)
are analyzed in relation to the additional text to illustrate the
possibility of building a structural model for the images
(didactic-revelative, didactic, and revelative), but also to discuss
their ambiguity in several semiotic layers. The hypothesis is also
advanced that Atalanta fugiens’ illustrations were influenced by the
iconography of Lambspring’s De lapide Philosophorum, and not the other
way around. This entire excursion returns to the starting point of the
thesis, which stresses that alchemy is an allegorical manner of
expression for something spiritual and religious, and not merely
pre-chemistry.
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